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ListenUp: Music views, news & reviews...
By Ken Barnes
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Alejandro Escovedo, Real Animal (out June 24): A new Escovedo album is always welcome -- the effortless way in which he moves from ragged-edged rock to cello-laden chamber pop (sometimes within the same song) is unique and most enthralling. With songs relating to his recent illness, this one has particularly strong resonance. |
Alejandro Escovedo will perform live on:
THE LATE SHOW WITH CONAN O’BRIEN
Friday June 20th on NBC
THE TODAY SHOW
Tuesday June 24th on NBC
LATE NIGHT WITH DAVID LETTERMAN
Thursday August 7th on CBS
Alejandro Escovedo will perform live on:
THE LATE SHOW WITH CONAN O’BRIEN
Friday June 20th on NBC
THE TODAY SHOW
Tuesday June 24th on NBC
LATE NIGHT WITH DAVID LETTERMAN
Thursday August 7th on CBS
don't miss it!

Feist dominates Canadian awards
Pop star Feist has won five prizes, including album of the year at
the Junos, Canada's top music awards.
"It's a nice moment but I don't know that music is meant to be a competition," said the 32-year-old.
Feist took the honours for single of the year for “1, 2, 3, 4”, album and pop album for The Reminder, as well as Artist and Songwriter of the year.
The awards cap a successful year for Feist, who rose to fame after “1, 2, 3, 4” was used to advertise the Apple iPod.
She was also nominated for Grammy and Brit awards.
'Blood and tears'
Feist collected the trophies and performed at the Juno Awards, which were held at the Saddledome arena in her home city of Calgary.
"This was a good event and it was a nice marker for a year - a nice recognition for everyone who's out there, sweating blood and tears," she said.
Veteran country rockers Blue Rodeo won three awards for group for the year, best adult alternative album for Small Miracles and best video for C'mon.
Singer Michael Buble took home the Juno fan choice award, while indie band Wintersleep took home the Juno for new group.
Paul Brandt won country recording of the year for Risk, while 1970s band Triumph were inducted into the Canadian Music Hall of Fame.
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HIGH PRAISE FOR
ERIC LINDELL'S
LOW ON CASH, RICH IN LOVE
This young New Orleans bluesman lays down some wickedly sharp guitar and harmonica licks, playing blue-eyed soul and R&B rave-ups that are firmly in the pocket.
A tremendous raw talent. Low On Cash, Rich In Love is a mature album by a singer-songwriter with a fully realized musical vision. It’s not a stretch to liken Lindell to Van Morrison in his proficiency for crafting classic neo-soul sounds. Lindell writes from the heart, with the life experiences of a Charles Bukowski and the poet’s soul of the Belfast Cowboy himself.
Second-lining his way through a kicked-back program of Van Morrisonian funk, blues, R&B and soul. Lindell’s ferocious talent as a singer, songwriter and guitarist make him sound like a star.
Eric Lindell serves up bluesy blue-eyed soul smothered with a big heap of New Orleans funk. Essentially the next generation’s Dr. John. His gravel-voiced passion and shuffling interplay of electric guitars, percolating organ and Creole horns never fails to make you feel like dancing all the way down Canal Street.
A tattooed, guitar-wielding Van Morrison fronting a soul-blues bard band….Low On Cash, Rich In Love features an engaging set of mid-tempo
grooves, all overlaid with Lindell’s soulful grit of a voice.
Dude’s got soul, and Low On Cash, Rich In Love provides the goods.
New Orleans funk, back-inthe-alley grooves….Low On Cash, Rich In Love is a wire-to-wire winner.
Lindell mixes elements of soul, blues and funk with a N’awlins bent, and it adds up to an enjoyable listen. … tons of funk and soul.
Lindell plays soulful and funk-drenched, tight and focused natural grooves. He is a quadruple threat as a solid songwriter, impressive guitarist, affecting singer, and harmonica blower. This is sunshiny sing-a-long party music that’s deceptively difficult to create. Lindell makes it seem not just easy, but natural.
Great songs and inspired playing…horn driven soul delivered with deceptive ease. Greasy funk, nasty in a good way. A great old-time rock and roll feel, tasteful.
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To Whom it May Concern:
My friends and I have just finished recording a new album called Sleep Through the
Static. At this point in my life I weigh about 190 lbs and my ear hairs are getting longer.
I also have a couple of kids. My wife popped them out, but I helped. Some of the songs
on this album are about making babies. Some of the songs are about raising them.
Some of the songs are about the world that these children will grow up in; a world of war
and love, and hate, and time and space. Some of the songs are about saying goodbye
to people I love and will miss.
We recorded the songs onto analog tape machines powered by the sun in Hawaii and
Los Angeles. One day, JP Plunier walked into the studio and told us, “It has been 4 to 6
feet and glassy for long enough,” and so we gave him a variety of wind and rain as well
as sun and so on. And Robert Carranza helped to put it all in the right places.
After inviting Zach Gill to join Adam Topol, Merlo Podlewski, and myself on our last
world tour, we decided to make him an official member of our gang. So our gang now
has a piano player, which probably makes us much less intimidating, but Merlo, our
bass player, is 6ʼ3” so we are still confident.
All of these songs have been on my mind for a while and it is nice to share them. I am
continually grateful to my wife who is typing this letter as I dictate it to her.
I hope you enjoy this album.
Mahalo for listening,
Jack Johnson
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